( Prime - page 27 of 32 )

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PRIME:  THE CONTRIBUTION OF ARTISTS, continued

 

Jackie (detail)

          

        " Jackie with Sheet ", was completed in April 2000.   While working in the United States, my drawing had become tight, and was, I felt, in need of becoming more fluid.   The period of the last two years, had been a time of re-evaluation, and an exploration of a number of possible directions beyond the life class, in which my efforts might be expressed.   Work in the life room, is by necessity disciplined and focused; getting as much information down in the shortest possible time, especially when using colour.   Rapidly changing circumstances, luminosity, colouration, and inevitable time constraint, discourages an " overworking ", or " finishing " of a drawing.

 
   Vicky (detail)

          

        " Vicky Standing ", was completed for exam preparation in May 2000.   Light varies in temperature , emphasising different colours.   Daylight changes temperature according to the time of day and atmospheric filtration.   By concentrating on the quality of a surface, the intensity and clarity of its colour seems to increase; enough to be able to select an appropriate pigment from a comprehensive palette.   I anticipate seeing different colours in flesh, and to find a notably cool or warm highlight and/or shadow is particularly pleasing.   The drawing of Vicky, records the passage of daylight (blue from front left), artificial fluorescent light (green from above front right), a tungsten spot light (orange from above left rear), and surprisingly, a warm reflected light from below.

        The artist needs to look again and again with fresh eyes; an approach which tends to produce  a  sense  of  immediacy; firstly in the process of observation ( the stuff of surprises ),  and secondly in the quality of the resulting image.   A completed work, is of necessity, nearly always unfinished, unless it be later resolved.   This approach may be applied to many areas of focus beyond drawing from the model, which might explain why it has become an essential skill for artists prepared to undertake a lifetime pilgrimage of learning.

 

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