( Prime - page 32 of 32 )

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PRIME:  BIBLIOGRAPHY

 Alison Effeny, "Cassatt", published by Studio Editions, London.

Arthur Stern, "How to see colour and paint it", Watson-Guptill Publications, N.Y.

Colin Saxton, consultant editor, "Art School", QED Publishing Ltd., London.

D. Bannister & Fay Fransella, "Inquiring Man", Construct Theory, Penguin.

Enid Verity, "Colour", fwd. John Piper, Leslie Frewin Publications, London.

Faber Birren & Consultants et al, "Colour", Regent Publishing Services Ltd., H.K.

Harold Osborne, "The Oxford Companion to Art", Clarendon Press, Oxford.

Hutchinson, "Dictionary of Ideas", Helicon Publishing Ltd, Oxford.

José M. Parramón, "Colour Theory", Watson Guptill Publications, New York.

Lilian Verner-Bonds, "Colour Healing", published by Sebastian Kelly, Oxford.

Liz Simpson, "The Book of Chakra Healing", published by Gaia Books limited.

Luigina De Grandis, "Theory and Use of Colour", Blandford Press, Poole, Dorset.

Musee d‘Orsay, "Impressionist and post-Impressionist masterpieces", T&H, Paris.

Ralph Mayer, "The Artists Handbook of Materials & Techniques", Faber & Faber.

Richard L Gregory, "Eye and Brain, The Psychology of Seeing", Oxford University.

Richard Thompson, "Seurat", published by Phaidon, Oxford.

Sister Wendy Beckett‘s, "Story of Painting", published by Dorling Kindersley.

Tim Armstrong, "Colour Perception", a practical guide, published by Tarquin.

Tony Partridge, "Starting Science", Oxford University Press.

Waldemar Januszczak, editor, "Techniques of the World‘s Great Painters", Phaidon Press, also "Techniques of the Great Masters of Art", New Burlington Books, London

     The list of books above, while not exclusive, represent the most significant source of information used in support of writing PRIME.  A big "thank you" to all my supporters, family, friends, tutors, colleagues in education, libraries, galleries and museums; especially to all the contributers, both past and present, who preceded me on the journey.

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